Thursday, 9 October 2014

Dulwich Picture Gallery SE21

Hello People,
Last Sunday I visited the Dulwich Picture Gallery SE21 with Rosie, my beautiful wife. Dulwich is also beautiful, and very wealthy. Because of this, I decided to wear a monocle and top hat so as to not stand out too much. The first thing I saw as we walked through the main gate was group of friends sitting outside the Gallery, sipping Prosecco and playing cards. I nodded to them as we walked past, and they stared at me wide eyed and open mouthed. Maybe the top hat was a bit much.
Dulwich Picture Gallery Garden
Rosie visited the Dulwich Picture Gallery when she was 8 years old, and she was so impressed with it that when she returned home, she told her parents that one day she would work in a museum herself. Rosie works for the British Museum now, keeping the mummies entertained when they come alive at night. Or something like that.
Rose told me all about how the old masters had to create their paints from scratch. Using plants and ground up insects to experiment with colours. So I said, “Why didn’t they just buy the paint from B&Q?”
“Because there was no B&Q” she replied.
“Fascinating”
We walked a little further, and I asked, “Rose, how did the Dulwich Picture Gallery come to exist?”  And this is what she told me.
“The story of Dulwich Picture Gallery is one of passion and chance. It begins with a man called Edward Alleyn – Ned to his friends – who lived from 1566-1626. Ned was one of the greatest stage actors who ever lived. He starred in three plays by Phillip Marlow – it’s believed that Marlow created the parts especially for him. When he retired from acting - at the height of his fame in 1598, Queen Elizabeth is said to have requested he return to the stage. If he was alive today he almost certainly would have had a spell as Doctor Who – he was that good. Sadly we will never get to see old Ned tread the boards, although Ben Affleck did portray him in the film ‘Shakespeare in Love.’ So until we have Red Dwarf style hologram technology, that’ll have to do.
Edward Alleyn
Ned became a rich man, and in 1617 he bought Dulwich Manor, and founded what was to become Dulwich College. When he died, he left all his art-work to the college. Over time the collection steadily grew until 1795, when our story takes a bit of a twist.
In 1790 two London Art dealers, Noel Desenfans and Sir Francis Bourgeouis were commissioned by the King of Poland to form a royal collection. Noel and Francis spent the next five years travelling around Europe buying art, and building a collection that any Polish King would be proud of. Sadly for them, before they could flog their fancy pictures, the King abdicated and left them massively out of pocket. To make things worse, Noel and Francis were very particular about who they sold the collection too. They wanted to be certain the art went to the right home, so in the end they decided to keep, and add to it. In 1807 Noel died, and left all the collection to Francis. In 1811 he died and, on the advice of his friend John Kemble (another famous actor), he left the collection to Dulwich College on the condition that the works were to be displayed in a new gallery constructed by his friend, the famous architect, John Soane .
Francis left £2,000 for the building of the gallery and his widow Margaret donated a further £4,000. Although this was a very generous amount, it was not enough for Soane to build the gallery. Soane cut costs where he could, such as making all his students work on the project for free. And what he produced is considered to be one of the finest examples of gallery architecture in Britain. And so Dulwich picture Gallery was born, and it became the first public art gallery in England.”
Dulwich Picture Gallery
When she had finished speaking, I said,
 “Wow, you know a lot about history. And you laid it all out in such a clear way. So Dulwich is the town that gave art to the masses?”
“That’s right.” she replied.
And with that I threw off my top hat. Grabbed the monocle from my eye, and smashed it on the floor*, they were symbols of an elitism in art that I now know no longer exists, and all thanks to Dulwich. With a little help from a few famous actors, architects and art lovers along the way.
“Why did you do that?” Rose asked.
“Symbolism. Come on Rose, let’s get some Prosecco.”
Come visit the Gallery, to see some masterpieces, or learn to draw for yourself.



*I had to clean up the glass before leaving the gallery.

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